I am writing this having just returned from a whirlwind trip to Edinburgh, where I saw about twenty shows in three days. Musicals, plays, one-person shows, comedy, performance…
There is a quiet shift happening in the theater world, not necessarily in the work itself, which remains as inventive and unpredictable as ever, but in who is…
Ari Edelson has spent more than 20 years as a leader in new play development. As founder and artistic director of The Orchard Project, he has spent more than 15 years building ecosystems that clear the runway for artists, providing development, feedback, and producing support that move new work from draft to production. The Orchard Project has developed more than 400 productions that have gone on to Broadway, the West End, and regional theaters around the United States and the world.
He is the creator of Notes 2.0, an approach to creative feedback, and writes regularly on how new work gets made and where the field is headed.
As a director, his credits span theatre, opera, and musicals on three continents, including Building the Wall (New World Stages), Expats (The New Group), and Vengeance (Cherry Lane Theatre). He was a staff director at English National Opera, founded the Old Vic/New Voices US/UK program at London’s Old Vic, and was director on attachment at Theatre Project Tokyo, New Dramatists, and the National Theatre Studio. He has taught at Northwestern University, Fordham University, and in Japan. Education: Yale University and Royal Scottish Conservatoire.